lindsayand
this & that.
lindsayand
+
humanoidhistory:

Partial eclipse of the Moon, observed on October 24, 1874, illustrated by Étienne Léopold Trouvelot, courtesy of the New York Public Library.
+
thatkindofwoman:

"The light is absolutely perfect here. wait stop. Nevermind, I can selfie solo." *CAMERA NOISE* "It’s perfect. like audrey hepburn."
+
nemfrog:

Artist’s conception of Leonid meteor shower, November 13-14, 1866. Guide Leaflet, American Museum of Natural History. 1901.
+
bobbycaputo:

Gray Malin’s Portraits Of Rainbow Colored Sheep Inspire Us To Dream
bobbycaputo:

Gray Malin’s Portraits Of Rainbow Colored Sheep Inspire Us To Dream
bobbycaputo:

Gray Malin’s Portraits Of Rainbow Colored Sheep Inspire Us To Dream
bobbycaputo:

Gray Malin’s Portraits Of Rainbow Colored Sheep Inspire Us To Dream
bobbycaputo:

Gray Malin’s Portraits Of Rainbow Colored Sheep Inspire Us To Dream
bobbycaputo:

Gray Malin’s Portraits Of Rainbow Colored Sheep Inspire Us To Dream
bobbycaputo:

Gray Malin’s Portraits Of Rainbow Colored Sheep Inspire Us To Dream
bobbycaputo:

Gray Malin’s Portraits Of Rainbow Colored Sheep Inspire Us To Dream
bobbycaputo:

Gray Malin’s Portraits Of Rainbow Colored Sheep Inspire Us To Dream
bobbycaputo:

Gray Malin’s Portraits Of Rainbow Colored Sheep Inspire Us To Dream
+
1000drawings:

by Cat Coquillette
+
lacma:

"A painting is not about an experience. It is an experience." -Mark Rothko, born on this day in 1903. 
[Mark Rothko. White Center. 1957]
+
dynamicafrica:

Fashion Lookbook: Maki Oh Spring 2015 RTW Collection.
Watching the progress of Nigerian designer Amaka Osakwe’s clothing label Maki Oh, a play on her first and last names, has been one of the most rewarding experiences in African fashion and design.
Always keeping her feminine appeal and awareness intact, where last year’s Spring 2014 RTW collection was an exciting mish-mash of colours, cuts and silk sensuality, she returns this year with a range that sees a complete aesthetic departure from where she was a year ago.
Using a palette that includes a similar shade of indigo, inspired by Yoruba Adire textiles, that she made use of in her Fall/Winter 2014 RTW collection, Amaka’s Spring 2014 RTW line is a mixture of exquisite simplicity and classic simplicity. Not that any of this is new for Amaka. We’ve seen her take on similar silhouettes as far back as her Fall/Winter 2013 collection - one of her best to date.
See more images from this collection.
Twitter | Facebook | Instagram | Pinterest | Soundcloud | Mixcloud
dynamicafrica:

Fashion Lookbook: Maki Oh Spring 2015 RTW Collection.
Watching the progress of Nigerian designer Amaka Osakwe’s clothing label Maki Oh, a play on her first and last names, has been one of the most rewarding experiences in African fashion and design.
Always keeping her feminine appeal and awareness intact, where last year’s Spring 2014 RTW collection was an exciting mish-mash of colours, cuts and silk sensuality, she returns this year with a range that sees a complete aesthetic departure from where she was a year ago.
Using a palette that includes a similar shade of indigo, inspired by Yoruba Adire textiles, that she made use of in her Fall/Winter 2014 RTW collection, Amaka’s Spring 2014 RTW line is a mixture of exquisite simplicity and classic simplicity. Not that any of this is new for Amaka. We’ve seen her take on similar silhouettes as far back as her Fall/Winter 2013 collection - one of her best to date.
See more images from this collection.
Twitter | Facebook | Instagram | Pinterest | Soundcloud | Mixcloud
dynamicafrica:

Fashion Lookbook: Maki Oh Spring 2015 RTW Collection.
Watching the progress of Nigerian designer Amaka Osakwe’s clothing label Maki Oh, a play on her first and last names, has been one of the most rewarding experiences in African fashion and design.
Always keeping her feminine appeal and awareness intact, where last year’s Spring 2014 RTW collection was an exciting mish-mash of colours, cuts and silk sensuality, she returns this year with a range that sees a complete aesthetic departure from where she was a year ago.
Using a palette that includes a similar shade of indigo, inspired by Yoruba Adire textiles, that she made use of in her Fall/Winter 2014 RTW collection, Amaka’s Spring 2014 RTW line is a mixture of exquisite simplicity and classic simplicity. Not that any of this is new for Amaka. We’ve seen her take on similar silhouettes as far back as her Fall/Winter 2013 collection - one of her best to date.
See more images from this collection.
Twitter | Facebook | Instagram | Pinterest | Soundcloud | Mixcloud
dynamicafrica:

Fashion Lookbook: Maki Oh Spring 2015 RTW Collection.
Watching the progress of Nigerian designer Amaka Osakwe’s clothing label Maki Oh, a play on her first and last names, has been one of the most rewarding experiences in African fashion and design.
Always keeping her feminine appeal and awareness intact, where last year’s Spring 2014 RTW collection was an exciting mish-mash of colours, cuts and silk sensuality, she returns this year with a range that sees a complete aesthetic departure from where she was a year ago.
Using a palette that includes a similar shade of indigo, inspired by Yoruba Adire textiles, that she made use of in her Fall/Winter 2014 RTW collection, Amaka’s Spring 2014 RTW line is a mixture of exquisite simplicity and classic simplicity. Not that any of this is new for Amaka. We’ve seen her take on similar silhouettes as far back as her Fall/Winter 2013 collection - one of her best to date.
See more images from this collection.
Twitter | Facebook | Instagram | Pinterest | Soundcloud | Mixcloud
dynamicafrica:

Fashion Lookbook: Maki Oh Spring 2015 RTW Collection.
Watching the progress of Nigerian designer Amaka Osakwe’s clothing label Maki Oh, a play on her first and last names, has been one of the most rewarding experiences in African fashion and design.
Always keeping her feminine appeal and awareness intact, where last year’s Spring 2014 RTW collection was an exciting mish-mash of colours, cuts and silk sensuality, she returns this year with a range that sees a complete aesthetic departure from where she was a year ago.
Using a palette that includes a similar shade of indigo, inspired by Yoruba Adire textiles, that she made use of in her Fall/Winter 2014 RTW collection, Amaka’s Spring 2014 RTW line is a mixture of exquisite simplicity and classic simplicity. Not that any of this is new for Amaka. We’ve seen her take on similar silhouettes as far back as her Fall/Winter 2013 collection - one of her best to date.
See more images from this collection.
Twitter | Facebook | Instagram | Pinterest | Soundcloud | Mixcloud
dynamicafrica:

Fashion Lookbook: Maki Oh Spring 2015 RTW Collection.
Watching the progress of Nigerian designer Amaka Osakwe’s clothing label Maki Oh, a play on her first and last names, has been one of the most rewarding experiences in African fashion and design.
Always keeping her feminine appeal and awareness intact, where last year’s Spring 2014 RTW collection was an exciting mish-mash of colours, cuts and silk sensuality, she returns this year with a range that sees a complete aesthetic departure from where she was a year ago.
Using a palette that includes a similar shade of indigo, inspired by Yoruba Adire textiles, that she made use of in her Fall/Winter 2014 RTW collection, Amaka’s Spring 2014 RTW line is a mixture of exquisite simplicity and classic simplicity. Not that any of this is new for Amaka. We’ve seen her take on similar silhouettes as far back as her Fall/Winter 2013 collection - one of her best to date.
See more images from this collection.
Twitter | Facebook | Instagram | Pinterest | Soundcloud | Mixcloud
dynamicafrica:

Fashion Lookbook: Maki Oh Spring 2015 RTW Collection.
Watching the progress of Nigerian designer Amaka Osakwe’s clothing label Maki Oh, a play on her first and last names, has been one of the most rewarding experiences in African fashion and design.
Always keeping her feminine appeal and awareness intact, where last year’s Spring 2014 RTW collection was an exciting mish-mash of colours, cuts and silk sensuality, she returns this year with a range that sees a complete aesthetic departure from where she was a year ago.
Using a palette that includes a similar shade of indigo, inspired by Yoruba Adire textiles, that she made use of in her Fall/Winter 2014 RTW collection, Amaka’s Spring 2014 RTW line is a mixture of exquisite simplicity and classic simplicity. Not that any of this is new for Amaka. We’ve seen her take on similar silhouettes as far back as her Fall/Winter 2013 collection - one of her best to date.
See more images from this collection.
Twitter | Facebook | Instagram | Pinterest | Soundcloud | Mixcloud
dynamicafrica:

Fashion Lookbook: Maki Oh Spring 2015 RTW Collection.
Watching the progress of Nigerian designer Amaka Osakwe’s clothing label Maki Oh, a play on her first and last names, has been one of the most rewarding experiences in African fashion and design.
Always keeping her feminine appeal and awareness intact, where last year’s Spring 2014 RTW collection was an exciting mish-mash of colours, cuts and silk sensuality, she returns this year with a range that sees a complete aesthetic departure from where she was a year ago.
Using a palette that includes a similar shade of indigo, inspired by Yoruba Adire textiles, that she made use of in her Fall/Winter 2014 RTW collection, Amaka’s Spring 2014 RTW line is a mixture of exquisite simplicity and classic simplicity. Not that any of this is new for Amaka. We’ve seen her take on similar silhouettes as far back as her Fall/Winter 2013 collection - one of her best to date.
See more images from this collection.
Twitter | Facebook | Instagram | Pinterest | Soundcloud | Mixcloud
dynamicafrica:

Fashion Lookbook: Maki Oh Spring 2015 RTW Collection.
Watching the progress of Nigerian designer Amaka Osakwe’s clothing label Maki Oh, a play on her first and last names, has been one of the most rewarding experiences in African fashion and design.
Always keeping her feminine appeal and awareness intact, where last year’s Spring 2014 RTW collection was an exciting mish-mash of colours, cuts and silk sensuality, she returns this year with a range that sees a complete aesthetic departure from where she was a year ago.
Using a palette that includes a similar shade of indigo, inspired by Yoruba Adire textiles, that she made use of in her Fall/Winter 2014 RTW collection, Amaka’s Spring 2014 RTW line is a mixture of exquisite simplicity and classic simplicity. Not that any of this is new for Amaka. We’ve seen her take on similar silhouettes as far back as her Fall/Winter 2013 collection - one of her best to date.
See more images from this collection.
Twitter | Facebook | Instagram | Pinterest | Soundcloud | Mixcloud
dynamicafrica:

Fashion Lookbook: Maki Oh Spring 2015 RTW Collection.
Watching the progress of Nigerian designer Amaka Osakwe’s clothing label Maki Oh, a play on her first and last names, has been one of the most rewarding experiences in African fashion and design.
Always keeping her feminine appeal and awareness intact, where last year’s Spring 2014 RTW collection was an exciting mish-mash of colours, cuts and silk sensuality, she returns this year with a range that sees a complete aesthetic departure from where she was a year ago.
Using a palette that includes a similar shade of indigo, inspired by Yoruba Adire textiles, that she made use of in her Fall/Winter 2014 RTW collection, Amaka’s Spring 2014 RTW line is a mixture of exquisite simplicity and classic simplicity. Not that any of this is new for Amaka. We’ve seen her take on similar silhouettes as far back as her Fall/Winter 2013 collection - one of her best to date.
See more images from this collection.
Twitter | Facebook | Instagram | Pinterest | Soundcloud | Mixcloud
+
ryanpanos:

Theater Series | Hiroshi Sugimoto | Socks Studio
Starting in the late 1970s, Hiroshi Sugimoto took pictures of cinemas interiors and drive-ins with the aim of encapsulate the whole lenght of a movie in a single shot. He left the camera shutters open throughout the running of a movie and the glowing screen of the cinemas was left as a trace on each take. A somehow uncanny light resonates in the dark cinema halls. At a further glance, this central light ethereally underlines the rich architectural details of the theater interiors. You might want to confront Sugimoto’s work with Michael Wesely’s, a photographer that uses to take photographs featuringi  3 years long exposures: read “The passing of time“, (on Socks).
ryanpanos:

Theater Series | Hiroshi Sugimoto | Socks Studio
Starting in the late 1970s, Hiroshi Sugimoto took pictures of cinemas interiors and drive-ins with the aim of encapsulate the whole lenght of a movie in a single shot. He left the camera shutters open throughout the running of a movie and the glowing screen of the cinemas was left as a trace on each take. A somehow uncanny light resonates in the dark cinema halls. At a further glance, this central light ethereally underlines the rich architectural details of the theater interiors. You might want to confront Sugimoto’s work with Michael Wesely’s, a photographer that uses to take photographs featuringi  3 years long exposures: read “The passing of time“, (on Socks).
ryanpanos:

Theater Series | Hiroshi Sugimoto | Socks Studio
Starting in the late 1970s, Hiroshi Sugimoto took pictures of cinemas interiors and drive-ins with the aim of encapsulate the whole lenght of a movie in a single shot. He left the camera shutters open throughout the running of a movie and the glowing screen of the cinemas was left as a trace on each take. A somehow uncanny light resonates in the dark cinema halls. At a further glance, this central light ethereally underlines the rich architectural details of the theater interiors. You might want to confront Sugimoto’s work with Michael Wesely’s, a photographer that uses to take photographs featuringi  3 years long exposures: read “The passing of time“, (on Socks).
ryanpanos:

Theater Series | Hiroshi Sugimoto | Socks Studio
Starting in the late 1970s, Hiroshi Sugimoto took pictures of cinemas interiors and drive-ins with the aim of encapsulate the whole lenght of a movie in a single shot. He left the camera shutters open throughout the running of a movie and the glowing screen of the cinemas was left as a trace on each take. A somehow uncanny light resonates in the dark cinema halls. At a further glance, this central light ethereally underlines the rich architectural details of the theater interiors. You might want to confront Sugimoto’s work with Michael Wesely’s, a photographer that uses to take photographs featuringi  3 years long exposures: read “The passing of time“, (on Socks).
ryanpanos:

Theater Series | Hiroshi Sugimoto | Socks Studio
Starting in the late 1970s, Hiroshi Sugimoto took pictures of cinemas interiors and drive-ins with the aim of encapsulate the whole lenght of a movie in a single shot. He left the camera shutters open throughout the running of a movie and the glowing screen of the cinemas was left as a trace on each take. A somehow uncanny light resonates in the dark cinema halls. At a further glance, this central light ethereally underlines the rich architectural details of the theater interiors. You might want to confront Sugimoto’s work with Michael Wesely’s, a photographer that uses to take photographs featuringi  3 years long exposures: read “The passing of time“, (on Socks).
ryanpanos:

Theater Series | Hiroshi Sugimoto | Socks Studio
Starting in the late 1970s, Hiroshi Sugimoto took pictures of cinemas interiors and drive-ins with the aim of encapsulate the whole lenght of a movie in a single shot. He left the camera shutters open throughout the running of a movie and the glowing screen of the cinemas was left as a trace on each take. A somehow uncanny light resonates in the dark cinema halls. At a further glance, this central light ethereally underlines the rich architectural details of the theater interiors. You might want to confront Sugimoto’s work with Michael Wesely’s, a photographer that uses to take photographs featuringi  3 years long exposures: read “The passing of time“, (on Socks).
ryanpanos:

Theater Series | Hiroshi Sugimoto | Socks Studio
Starting in the late 1970s, Hiroshi Sugimoto took pictures of cinemas interiors and drive-ins with the aim of encapsulate the whole lenght of a movie in a single shot. He left the camera shutters open throughout the running of a movie and the glowing screen of the cinemas was left as a trace on each take. A somehow uncanny light resonates in the dark cinema halls. At a further glance, this central light ethereally underlines the rich architectural details of the theater interiors. You might want to confront Sugimoto’s work with Michael Wesely’s, a photographer that uses to take photographs featuringi  3 years long exposures: read “The passing of time“, (on Socks).
ryanpanos:

Theater Series | Hiroshi Sugimoto | Socks Studio
Starting in the late 1970s, Hiroshi Sugimoto took pictures of cinemas interiors and drive-ins with the aim of encapsulate the whole lenght of a movie in a single shot. He left the camera shutters open throughout the running of a movie and the glowing screen of the cinemas was left as a trace on each take. A somehow uncanny light resonates in the dark cinema halls. At a further glance, this central light ethereally underlines the rich architectural details of the theater interiors. You might want to confront Sugimoto’s work with Michael Wesely’s, a photographer that uses to take photographs featuringi  3 years long exposures: read “The passing of time“, (on Socks).
+
madhatter0:

funnnyyy-giiiifffsss:

HAHAHAHAHA !

SOMEONE MADE IT INTO A GIF I CAN’T I JUST
+
natgeotravel:

A view from above. See this photo of the Great Barrier Reef, and more, in the 2014 National Geographic Photo Contest »
Photograph by Wayne Pope
+
+
+
+
+